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Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

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Название:
Крестный отец, часть 1. Английский язык с Марио Пьюзо.
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неизвестно
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Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо. краткое содержание

Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо. - описание и краткое содержание, автор Mario Puzo, читайте бесплатно онлайн на сайте электронной библиотеки My-Library.Info
Английский язык с с Крестным ОтцомТекст адаптирован (без упрощения текста оригинала) по методу Ильи Франка: текст разбит на небольшие отрывки, каждый и который повторяется дважды: сначала идет английский текст с «подсказками» — с вкрапленным в него дословным русским переводом и лексико-грамматическим комментарием (то есть адаптированный), а затем — тот же текст, но уже неадаптированный, без подсказок.Начинающие осваивать английский язык могут при этом читать сначала отрывок текста с подсказками, а затем тот же отрывок — без подсказок. Вы как бы учитесь плавать: сначала плывете с доской, потом без доски. Совершенствующие свой английский могут поступать наоборот: читать текст без подсказок, по мере необходимости подглядывая в подсказки.Запоминание слов и выражений происходит при этом за счет их повторяемости, без зубрежки.Кроме того, читатель привыкает к логике английского языка, начинает его «чувствовать».Этот метод избавляет вас от стресса первого этапа освоения языка — от механического поиска каждого слова в словаре и от бесплодного гадания, что же все-таки значит фраза, все слова из которой вы уже нашли.Пособие способствует эффективному освоению языка, может служить дополнением к учебникам по грамматике или к основным занятиям. Предназначено для студентов, для изучающих английский язык самостоятельно, а также для всех интересующихся английской культурой.Мультиязыковой проект Ильи Франка: www.franklang.ruОт редактора fb2. Есть два способа оформления транскрипции: UTF-LATIN и ASCII-IPA. Для корректного отображения UTF-LATIN необходимы полноценные юникодные шрифты, например, DejaVu или Arial Unicode MS. Если по каким либо причинам вас это не устраивает, то воспользуйтесь ASCII-IPA версией той же самой книги (отличается только кодированием транскрипции). Но это сопряженно с небольшими трудностями восприятия на начальном этапе. Более подробно об ASCII-IPA читайте в Интернете:http://alt-usage-english.org/ipa/ascii_ipa_combined.shtmlhttp://en.wikipedia.org/wiki/Kirshenbaum1.0 - создание файла

Крестный отец, часть 1. Английский язык с Марио Пьюзо. читать онлайн бесплатно

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Michael sighed. "I guess that's the way it sounds, but let me tell you this (но я вот что тебе скажу: «позволь мне сказать тебе это»). You know those Arctic explorers (исследователи Арктики; to explore [ıks’plo:] – исследовать) who leave caches of food (запасы провианта; cache [kæ∫] – тайник; запас провианта, оставленный экспедицией в скрытом месте) scattered on the route to the North Pole (разбросанные, рассредоточенные по маршруту к Северному Полюсу; route [ru:t] – путь, направление)? Just in case they may need them someday (просто на тот случай, что это может им когда-нибудь понадобиться)? That's my father's favors. Someday he'll be at each one of those people's houses (он к ним придет, постучится к ним) and they had better come across (и им лучше пойти ему навстречу = помочь ему; to come across – случайно встретиться, натолкнуться)."


When Johnny Fontane appeared in the garden, Kay Adams recognized him immediately. She was truly surprised. "You never told me your family knew Johnny Fontane," she said. "Now I'm sure I'll marry you."

"Do you want to meet him?" Michael asked.

"Not now," Kay said. She sighed. "I was in love with him for three years. I used to come down to New York whenever he sang at the Capitol and scream my head off. He was so wonderful."

"We'll meet him later," Michael said.

When Johnny finished singing and vanished into the house with Don Corleone, Kay said archly to Michael, "Don't tell me a big movie star like Johnny Fontane has to ask your father for a favor?"

"He's my father's godson," Michael said. "And if it wasn't for my father he might not be a big movie star today."

Kay Adams laughed with delight. "That sounds like another great story."

Michael shook his head. "I can't tell that one," he said.

"Trust me," she said.

He told her. He told her without being funny. He told it without pride. He told it without any sort of explanation except that eight years before his father had been more impetuous, and because the matter concerned his godson, the Don considered it an affair of personal honor.

The story was quickly told. Eight years ago Johnny Fontane had made an extraordinary success singing with a popular dance band. He had become a top radio attraction. Unfortunately the band leader, a well-known show business personality named Les Halley, had signed Johnny to a five-year personal services contract. It was a common show business practice. Les Halley could now loan Johnny out and pocket most of the money.

Don Corleone entered the negotiations personally. He offered Les Halley twenty thousand dollars to release Johnny Fontane from the personal services contract. Halley offered to take only fifty percent of Johnny's earnings. Don Corleone was amused. He dropped his offer from twenty thousand dollars to ten thousand dollars. The band leader, obviously not a man of the world outside his beloved show business, completely missed the significance of this lower offer. He refused.

The next day Don Corleone went to see the band leader personally. He brought with him his two best friends, Genco Abbandando, who was his Consigliori, and Luca Brasi. With no other witnesses Don Corleone persuaded Les Halley to sign a document giving up all rights to all services from Johnny Fontane upon payment of a certified check to the amount of ten thousand dollars. Don Corleone did this by putting a pistol to the forehead of the band leader and assuring him with the utmost seriousness that either his signature or his brains would rest on that document in exactly one minute. Les Halley signed. Don Corleone pocketed his pistol and handed over the certified check.

The rest was history. Johnny Fontane went on to become the greatest singing sensation in the country. He made Hollywood musicals that earned a fortune for his studio. His records made millions of dollars. Then he divorced his childhood-sweetheart wife and left his two children, to marry the most glamorous blond star in motion pictures. He soon learned that she was a "whore." He drank, he gambled, he chased other women. He lost his singing voice. His records stopped selling. The studio did not renew his contract. And so now he had come back to his Godfather.

Kay said thoughtfully, "Are you sure you're not jealous of your father? Everything you've told me about him shows him doing something for other people. He must be good-hearted." She smiled wryly. "Of course his methods are not exactly constitutional."

Michael sighed. "I guess that's the way it sounds, but let me tell you this. You know those Arctic explorers who leave caches of food scattered on the route to the North Pole? Just in case they may need them someday? That's my father's favors. Someday he'll be at each one of those people's houses and they had better come across."


It was nearly twilight (почти сумерки) before the wedding cake was shown (прежде был подан: «показан» свадебный пирог), exclaimed over (принят восторженными возгласами; to exclaim [ıks’kleım] – восклицать) and eaten. Specially baked by Nazorine, it was cleverly decorated with shells of cream (искусно украшен кремовыми ракушками) so dizzyingly delicious (настолько головокружительно вкусными; dizzy – испытывающий головокружение; delicious [dı’lı∫∂s] – восхитительный; очень вкусный) that the bride greedily plucked them from the corpse of the cake (жадно сорвала их с «корпуса» пирога) before she whizzed away (умчалась; to whizz – проноситься со свистом) on her honeymoon (медовый месяц) with her blond groom. The Don politely sped his guests' departure (вежливо ускорил отъезд своих гостей: to speed), noting meanwhile (отметив про себя между тем) that the black sedan with its FBI men was no longer visible (больше не был видим = его больше не было видно).

Finally the only car left in the driveway (на дороге, в проезде) was the long black Cadillac with Freddie at the wheel (за рулем), The Don got into the front seat (сел на переднее сиденье), moving with quick coordination for his age and bulk (для своего возраста и веса: «массы»). Sonny, Michael and Johnny Fontane got into the back seat. Don Corleone said to his son Michael, "Your girl friend, she'll get back to the city by herself all right (доберется сама без проблем)?"

Michael nodded. "Tom said he'd take care of it (позаботится об этом)," Don Corleone nodded with satisfaction at Hagen's efficiency (удовлетворенный расторопностью Хагена; efficient [ı’fı∫nt] – действенный, эффективный).

Because of the gas rationing still in effect (из-за того, что бензин все еще выдавался по карточкам; rationing [‘ræ∫nıŋ] – нормирование продуктов; продажа по карточкам), there was little traffic (мало движения транспорта) on the Belt Parkway to Manhattan. In less than an hour the Cadillac rolled into the street of French Hospital. During the ride Don Corleone asked his youngest son if he was doing well in school (хорошо ли он учится, все ли в порядке с учебой). Michael nodded. Then Sonny in the back seat asked his father, "Johnny says you're getting him squared away (уладишь; to square [skwe∂] – придавать квадратную форму, обтесывать; улаживать, приводить в порядок; square – квадрат) with that Hollywood business. Do you want me to go out there and help?"

Don Corleone was curt (короткий, лаконичный; отрывисто-грубый), "Tom is going tonight. He won't need any help, it's a simple affair."

Sonny Corleone laughed. "Johnny thinks you can't fix it (уладить; to fix – устанавливать, прикреплять; приводить в порядок), that's why I thought you might want me to go out there."

Don Corleone turned his head. "Why do you doubt me (сомневаешься во мне [daut])?" he asked Johnny Fontane. "Hasn't your Godfather always done what he said he would do? Have I ever been taken for a fool (разве когда-либо меня принимали за дурачка, обдуривали)?"

Johnny apologized nervously. "Godfather, the man who runs it (кто ведет /этот бизнес/) is a real .90 caliber pezzonovante (настоящий 90-ый калибер = крупная шишка). You can't budge him (пошевельнуть, сдвинуть с места), not even with money. He has big connections (связи). And he hates me. I just don't know how you can swing it (это обделать: to swing – качнуть; успешно обделать дельце)."

The Don spoke with affectionate amusement. "I say to you: you shall have it." He nudged Michael with his elbow (подтолкнул локтем). "We won't disappoint my godson (не разочаруем), eh, Michael?"

Michael, who never doubted his father for a moment, shook his head.

As they walked toward the hospital entrance (ко входу), Don Corleone put his hand on Michael's arm so that the others forged ahead (медленно продвигались вперед). "When you get through with college (когда разделаешься, покончишь с колледжем), come and talk to me," the Don said. "I have some plans you will like."

Michael didn't say anything. Don Corleone grunted in exasperation (промычал, проворчал; to grunt – хрюкать; ворчать). "I now how you are. I won't ask you to do anything you don't approve of (то, что ты не одобряешь). This is something special (нечто особое). Go your own way now, you're a man after all (в конце концов). But come to me as a son should when you have finished with your schooling."


It was nearly twilight before the wedding cake was shown, exclaimed over and eaten. Specially baked by Nazorine, it was cleverly decorated with shells of cream so dizzyingly delicious that the bride greedily plucked them from the corpse of the cake before she whizzed away on her honeymoon with her blond groom. The Don politely sped his guests' departure, noting meanwhile that the black sedan with its FBI men was no longer visible.

Finally the only car left in the driveway was the long black Cadillac with Freddie at the wheel, The Don got into the front seat, moving with quick coordination for his age and bulk. Sonny, Michael and Johnny Fontane got into the back seat. Don Corleone said to his son Michael, "Your girl friend, she'll get back to the city by herself all right?"

Michael nodded. "Tom said he'd take care of it," Don Corleone nodded with satisfaction at Hagen's efficiency.

Because of the gas rationing still in effect, there was little traffic on the Belt Parkway to Manhattan. In less than an hour the Cadillac rolled into the street of French Hospital. During the ride Don Corleone asked his youngest son if he was doing well in school. Michael nodded. Then Sonny in the back seat asked his father, "Johnny says you're getting him squared away with that Hollywood business. Do you want me to go out there and help?"

Don Corleone was curt, "Tom is going tonight. He won't need any help, it's a simple affair."

Sonny Corleone laughed. "Johnny thinks you can't fix it, that's why I thought you might want me to go out there."

Don Corleone turned his head. "Why do you doubt me?" he asked Johnny Fontane. "Hasn't your Godfather always done what he said he would do? Have I ever been taken for a fool?"

Johnny apologized nervously. "Godfather, the man who runs it is a real .90 caliber pezzonovante. You can't budge him, not even with money. He has big connections. And he hates me. I just don't know how you can swing it."

The Don spoke with affectionate amusement. "I say to you: you shall have it." He nudged Michael with his elbow. "We won't disappoint my godson, eh, Michael?"

Michael, who never doubted his father for a moment, shook his head.

As they walked toward the hospital entrance, Don Corleone put his hand on Michael's arm so that the others forged ahead. "When you get through with college, come and talk to me," the Don said. "I have some plans you will like."

Michael didn't say anything. Don Corleone grunted in exasperation. "I now how you are. I won't ask you to do anything you don't approve of. This is something special. Go your own way now, you're a man after all. But come to me as a son should when you have finished with your schooling."


The family of Genco Abbandando, wife and three daughters dressed in black, clustered like a flock of plump crows (столпились, сгрудились как стая толстых, пухлых ворон; cluster – кисть, пучок, гроздь) on the white tile floor (на полу, выложенном белыми плитками; tile – плитка, кафель, изразец) of the hospital corridor. When they saw Don Corleone come out of the elevator (из лифта), they seemed to flutter up off (показалось, что вспорхнули; to flutter – махать или бить крыльями, перепархивать) the white tiles in an instinctive surge (порыве; surge – большая волна всплеск) toward him for protection (ища защиты). The mother was regally stout in black (по-королевски полной в своем черном одеянии; stout – крепкий, прочный; полный /человек/), the daughters fat and plain (толстые и некрасивые). Mrs. Abbandando pecked at Don Corleone's cheek (чмокнул: «клюнул»), sobbing (всхлипывая; to sob – рыдать, всхлипывать), wailing (причитая, стеня), "Oh, what a saint you are (какой же ты святой), to come here on your daughter's wedding day."

Don Corleone brushed these thanks aside (отмахнулся от этих выражений благодарности: «отмел»; brush – щетка). "Don't I owe respect to such a friend, a friend who has been my right arm for twenty years?" He had understood immediately that the soon-to-be widow did not comprehend (что женщина, которая вскоре станет вдовой, не понимала, не осознавала [komprı'hend]) that her husband would die this night. Genco Abbandando had been in this hospital for nearly a year dying of his cancer (умирая от рака) and the wife had come to consider his fatal illness almost an ordinary part of life (стала считать его смертельную болезнь почти обычной /составной/ частью жизни). Tonight was just another crisis. She babbled on (продолжала лепетать). "Go in and see my poor husband," she said, "he asks for you. Poor man, he wanted to come to the wedding to show his respect but the doctor would not permit it (не разрешил). Then he said you would come to see him on this great day but I did not believe it possible. Ah, men understand friendship more than we women. Go inside, you will make him happy."


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