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Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

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Название:
Крестный отец, часть 1. Английский язык с Марио Пьюзо.
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неизвестно
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Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо. краткое содержание

Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо. - описание и краткое содержание, автор Mario Puzo, читайте бесплатно онлайн на сайте электронной библиотеки My-Library.Info
Английский язык с с Крестным ОтцомТекст адаптирован (без упрощения текста оригинала) по методу Ильи Франка: текст разбит на небольшие отрывки, каждый и который повторяется дважды: сначала идет английский текст с «подсказками» — с вкрапленным в него дословным русским переводом и лексико-грамматическим комментарием (то есть адаптированный), а затем — тот же текст, но уже неадаптированный, без подсказок.Начинающие осваивать английский язык могут при этом читать сначала отрывок текста с подсказками, а затем тот же отрывок — без подсказок. Вы как бы учитесь плавать: сначала плывете с доской, потом без доски. Совершенствующие свой английский могут поступать наоборот: читать текст без подсказок, по мере необходимости подглядывая в подсказки.Запоминание слов и выражений происходит при этом за счет их повторяемости, без зубрежки.Кроме того, читатель привыкает к логике английского языка, начинает его «чувствовать».Этот метод избавляет вас от стресса первого этапа освоения языка — от механического поиска каждого слова в словаре и от бесплодного гадания, что же все-таки значит фраза, все слова из которой вы уже нашли.Пособие способствует эффективному освоению языка, может служить дополнением к учебникам по грамматике или к основным занятиям. Предназначено для студентов, для изучающих английский язык самостоятельно, а также для всех интересующихся английской культурой.Мультиязыковой проект Ильи Франка: www.franklang.ruОт редактора fb2. Есть два способа оформления транскрипции: UTF-LATIN и ASCII-IPA. Для корректного отображения UTF-LATIN необходимы полноценные юникодные шрифты, например, DejaVu или Arial Unicode MS. Если по каким либо причинам вас это не устраивает, то воспользуйтесь ASCII-IPA версией той же самой книги (отличается только кодированием транскрипции). Но это сопряженно с небольшими трудностями восприятия на начальном этапе. Более подробно об ASCII-IPA читайте в Интернете:http://alt-usage-english.org/ipa/ascii_ipa_combined.shtmlhttp://en.wikipedia.org/wiki/Kirshenbaum1.0 - создание файла

Крестный отец, часть 1. Английский язык с Марио Пьюзо. читать онлайн бесплатно

Крестный отец, часть 1. Английский язык с Марио Пьюзо. - читать книгу онлайн бесплатно, автор Mario Puzo

Thinking this made him feel guilty about not feeling more sympathy for his father. His own father shot full of holes and yet in a curious way Michael, better than anyone else, understood when Tom had said it was just business, not personal. That his father had paid for the power he had wielded all his life (обладал), the respect he had extorted from all those around him (которое он требовал, заставлял себе выказывать; to extort [ıks’to:t] – вымогать, выпытывать).

What Michael wanted was out, out of all this, to lead his own life. But he couldn't cut loose from the family until the crisis was over. He had to help in a civilian capacity (в качестве гражданского /не военного/ лица). With sudden clarity he realized that he was annoyed with the role assigned to him (что его раздражает предназначенная, отведенная ему роль), that of the privileged noncombatant, the excused conscientious objector («извиненного сознательного = по совести отказывающегося»; to object [∂b’Gekt] – возражать). That was why the word "civilian" kept popping into his skull (выскакивало в его голове: «черепе») in such an irritating way (таким раздражающим образом; to irritate ['ırıteıt] – возмущать, раздражать, сердить).

When he got to the hotel, Kay was waiting for him in the lobby. (A couple of Clemenza's people had driven him into town and dropped him off on a nearby corner after making sure (после того, как убедились) they were not followed.)

They had dinner together and some drinks. "What time are you going to visit your father?" Kay asked.

Michael looked at his watch. "Visiting hours end at eight-thirty. I think I'll go after everybody has left. They'll let me up. He has a private room and his own nurses so I can just sit with him for a while. I don't think he can talk yet or even know if I'm there. But I have to show respect."

Kay said quietly, "I feel so sorry for your father, he seemed like such a nice man at the wedding. I can't believe the things the papers are printing about him (печатают). I'm sure most of it's not true."

Michael said politely, "I don't think so either." He was surprised to find himself so secretive with Kay. He loved her, he trusted her, but he would never tell her anything about his father or the Family. She was an outsider.

"What about you?" Kay asked. "Are you going to get mixed up in this gang war the papers are talking about so gleefully (с таким ликованием; gleeful – радостный, ликующий; glee – веселье, ликование)?"

Michael grinned, unbuttoned his jacket and held it wide open. "Look, no guns," he said. Kay laughed.

It was getting late and they went up to their room. She mixed a drink for both of them and sat on his lap as they drank. Beneath her dress she was all silk until his hand touched the glowing skin of her thigh. They fell back on the bed together and made love with all their clothes on, their mouths glued together (to glue – приклеивать, склеивать). When they were finished they lay very still, feeling the heat of their bodies burning through their garments. Kay murmured, "Is that what you soldiers call a quickie?"

"Yeah," Michael said.

"It's not bad," Kay said in a judicious voice (рассуждающим, оценивающим голосом [dGu:’dı∫∂s]).

They dozed off (задремали) until Michael suddenly started up anxiously and looked at his watch. "Damn," he said. "It's nearly ten. I have to get down to the hospital." He went to the bathroom to wash up and comb his hair. Kay came in after him and put her arms around his waist from behind. "When are we going to get married?" she asked.

"Whenever you say," Michael said. "As soon as this family thing quiets down and my old man gets better. I think you'd better explain things to your parents though."

"What should I explain?" Kay said quietly.

Michael ran the comb through his hair. "Just say that you've met a brave, handsome guy of Italian descent (спуск, скат, склон; происхождение [dı'sent]. Top marks at Dartmouth. Distinguished Service Cross during the war plus the Purple Heart (медаль, дающаяся за полученные в бою раны; to distinguish oneself in battle – отличиться в бою; to distinguish – отличать, различать). Honest. Hard-working. But his father is a Mafia chief who has to kill bad people, sometimes bribe high government officials (to bribe – подкупать, давать взятку) and in his line of work gets shot full of holes himself. But that has nothing to do with his honest hard-working son. Do you think you can remember all that?"

Kay let go his body and leaned against the door of the bathroom. "Is he really?" she said. "Does he really?" She paused. "Kill people?"

Michael finished combing his hair. "I don't really know," he said. "Nobody really knows. But I wouldn't be surprised."

Before he went out the door she asked, "When will I see you again?"

Michael kissed her. "I want you to go home and think things over in that little hick town of yours," he said. "I don't want you to get mixed up in this business in any way. After the Christmas holidays I'll be back at school and we'll get together up in Hanover. OK?"

"OK," she said. She watched him go out the door, saw him wave before he stepped into the elevator (to wave – помахать /рукой/). She had never felt so close to him, never so much in love and if someone had told her she would not see Michael again until three years passed, she would not have been able to bear the anguish of it (вынести эту тоску, это мучение [‘æŋwı∫]).


When Michael Corleone went into the city that night it was with a depressed spirit. He felt that he was being enmeshed in the Family business against his will and he resented Sonny using him even to answer the phone. He felt uncomfortable being on the inside of the Family councils as if he could be absolutely trusted with such secrets as murder. And now, going to see Kay, he felt guilty about her also. He had never been completely honest with her about his family. He had told her about them but always with little jokes and colorful anecdotes that made them seem more like adventurers in a Technicolor movie than what they really were. And now his father had been shot down in the street and his eldest brother was making plans for murder. That was putting it plainly and simply but that was never how he would tell it to Kay. He had already said his father being shot was more like an "accident" and that all the trouble was over. Hell, it looked like it was just beginning. Sonny and Tom were off-center on this guy Sollozzo, they were still underrating him, even though Sonny was smart enough to see the danger. Michael tried to think what the Turk might have up his sleeve. He was obviously a bold man, a clever man, a man of extraordinary force. You had to figure him to come up with a real surprise. But then Sonny and Tom and Clemenza and Tessio were all agreed that everything was under control and they all had more experience than he did. He was the "civilian" in this war, Michael thought wryly. And they'd have to give him a hell of a lot better medals than he'd gotten in World War II to make him join this one.

Thinking this made him feel guilty about not feeling more sympathy for his father. His own father shot full of holes and yet in a curious way Michael, better than anyone else, understood when Tom had said it was just business, not personal. That his father had paid for the power he had wielded all his life, the respect he had extorted from all those around him.

What Michael wanted was out, out of all this, to lead his own life. But he couldn't cut loose from the family until the crisis was over. He had to help in a civilian capacity. With sudden clarity he realized that he was annoyed with the role assigned to him, that of the privileged noncombatant, the excused conscientious objector. That was why the word "civilian" kept popping into his skull in such an irritating way.

When he got to the hotel, Kay was waiting for him in the lobby. (A couple of Clemenza's people had driven him into town and dropped him off on a nearby corner after making sure they were not followed.)

They had dinner together and some drinks. "What time are you going to visit your father?" Kay asked.

Michael looked at his watch. "Visiting hours end at eight-thirty. I think I'll go after everybody has left. They'll let me up. He has a private room and his own nurses so I can just sit with him for a while. I don't think he can talk yet or even know if I'm there. But I have to show respect."

Kay said quietly, "I feel so sorry for your father, he seemed like such a nice man at the wedding. I can't believe the things the papers are printing about him. I'm sure most of it's not true."

Michael said politely, "I don't think so either." He was surprised to find himself so secretive with Kay. He loved her, he trusted her, but he would never tell her anything about his father or the Family. She was an outsider.

"What about you?" Kay asked. "Are you going to get mixed up in this gang war the papers are talking about so gleefully?"

Michael grinned, unbuttoned his jacket and held it wide open. "Look, no guns," he said. Kay laughed.

It was getting late and they went up to their room. She mixed a drink for both of them and sat on his lap as they drank. Beneath her dress she was all silk until his hand touched the glowing skin of her thigh. They fell back on the bed together and made love with all their clothes on, their mouths glued together. When they were finished they lay very still, feeling the heat of their bodies burning through their garments. Kay murmured, "Is that what you soldiers call a quickie?"

"Yeah," Michael said.

"It's not bad," Kay said in a judicious voice.

They dozed off until Michael suddenly started up anxiously and looked at his watch. "Damn," he said. "It's nearly ten. I have to get down to the hospital." He went to the bathroom to wash up and comb his hair. Kay came in after him and put her arms around his waist from behind. "When are we going to get married?" she asked.

"Whenever you say," Michael said. "As soon as this family thing quiets down and my old man gets better. I think you'd better explain things to your parents though."

"What should I explain?" Kay said quietly.

Michael ran the comb through his hair. "Just say that you've met a brave, handsome guy of Italian descent. Top marks at Dartmouth. Distinguished Service Cross during the war plus the Purple Heart. Honest. Hard-working. But his father is a Mafia chief who has to kill bad people, sometimes bribe high government officials and in his line of work gets shot full of holes himself. But that has nothing to do with his honest hard-working son. Do you think you can remember all that?"

Kay let go his body and leaned against the door of the bathroom. "Is he really?" she said. "Does he really?" She paused. "Kill people?"

Michael finished combing his hair. "I don't really know," he said. "Nobody really knows. But I wouldn't be surprised."

Before he went out the door she asked, "When will I see you again?"

Michael kissed her. "I want you to go home and think things over in that little hick town of yours," he said. "I don't want you to get mixed up in this business in any way. After the Christmas holidays I'll be back at school and we'll get together up in Hanover. OK?"

"OK," she said. She watched him go out the door, saw him wave before he stepped into the elevator. She had never felt so close to him, never so much in love and if someone had told her she would not see Michael again until three years passed, she would not have been able to bear the anguish of it.


When Michael got out of the cab in front of the French Hospital he was surprised to see that the street was completely deserted (совершенно пуста). When he entered the hospital he was even more surprised to find the lobby empty. Damn it, what the hell were Clemenza and Tessio doing? Sure, they never went to West Point (американская Военная академия) but they knew enough about tactics to have outposts (аванпосты, сторожевое охранение, заставы). A couple of their men should have been in the lobby at least.

Even the latest visitors had departed, it was almost ten-thirty at night. Michael was tense and alert now (напряжен и возбужден). He didn't bother to stop at the information desk (и не подумал: «не побеспокоился»), he already knew his father's room number up on the fourth floor. He took the self-service elevator. Oddly enough nobody stopped him until he reached the nurses' station on the fourth floor. But he strode right past her query (не обращая внимание на ее вопрос; query ['kwı∂rı] – вопрос) and on to his father's room. There was no one outside the door. Where the hell were the two detectives who were supposed (которые, как предполагалось) to be waiting around to guard and question the old man? Where the hell were Tessio and Clemenza's people? Could there be someone inside the room? But the door was open. Michael went in. There was a figure in the bed and by the December moonlight straining through the window (просачивающийся; to strain – напрягать, растягивать; процеживать) Michael could see his father's face. Even now it was impassive, the chest heaved shallowly (едва вздымалась; shallow – мелкий, неглубокий) with his uneven breath (неровным дыханием [breθ]). Tubes hung from steel gallows (со стальных дуг, подставок) beside the bed and ran into his nose. On the floor was a glass jar (банка, кувшин) receiving the poisons emptied from his stomach (из его желудка ['stLm∂k]) by other tubes. Michael stayed there for a few moments to make sure his father was all right, then backed out of the room.

He told the nurse, "My name is Michael Corleone, I just want to sit with my father. What happened to the detectives who were supposed to be guarding him?"

The nurse was a pretty young thing with a great deal of confidence in the power of her office (с большой долей уверенности в могуществе ее должности). "Oh, your father just had too many visitors, it interfered with the hospital service (это мешалони: «вмешивалось, перебивало»)," she said. "The police came and made them all leave about ten minutes ago. And then just five minutes ago I had to call the detectives to the phone for an emergency alarm from their headquarters (срочная тревога из их управления; emergency [ı’m∂:dG∂nsı] – непредвиденный случай, крайняя необходимость), and then they left too. But don't worry, I look in on your father often and I can hear any sound from his room. That's why we leave the doors open."


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