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Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

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Название:
Крестный отец, часть 1. Английский язык с Марио Пьюзо.
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неизвестно
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Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо.

Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо. краткое содержание

Mario Puzo - Крестный отец, часть 1. Английский язык с Марио Пьюзо. - описание и краткое содержание, автор Mario Puzo, читайте бесплатно онлайн на сайте электронной библиотеки My-Library.Info
Английский язык с с Крестным ОтцомТекст адаптирован (без упрощения текста оригинала) по методу Ильи Франка: текст разбит на небольшие отрывки, каждый и который повторяется дважды: сначала идет английский текст с «подсказками» — с вкрапленным в него дословным русским переводом и лексико-грамматическим комментарием (то есть адаптированный), а затем — тот же текст, но уже неадаптированный, без подсказок.Начинающие осваивать английский язык могут при этом читать сначала отрывок текста с подсказками, а затем тот же отрывок — без подсказок. Вы как бы учитесь плавать: сначала плывете с доской, потом без доски. Совершенствующие свой английский могут поступать наоборот: читать текст без подсказок, по мере необходимости подглядывая в подсказки.Запоминание слов и выражений происходит при этом за счет их повторяемости, без зубрежки.Кроме того, читатель привыкает к логике английского языка, начинает его «чувствовать».Этот метод избавляет вас от стресса первого этапа освоения языка — от механического поиска каждого слова в словаре и от бесплодного гадания, что же все-таки значит фраза, все слова из которой вы уже нашли.Пособие способствует эффективному освоению языка, может служить дополнением к учебникам по грамматике или к основным занятиям. Предназначено для студентов, для изучающих английский язык самостоятельно, а также для всех интересующихся английской культурой.Мультиязыковой проект Ильи Франка: www.franklang.ruОт редактора fb2. Есть два способа оформления транскрипции: UTF-LATIN и ASCII-IPA. Для корректного отображения UTF-LATIN необходимы полноценные юникодные шрифты, например, DejaVu или Arial Unicode MS. Если по каким либо причинам вас это не устраивает, то воспользуйтесь ASCII-IPA версией той же самой книги (отличается только кодированием транскрипции). Но это сопряженно с небольшими трудностями восприятия на начальном этапе. Более подробно об ASCII-IPA читайте в Интернете:http://alt-usage-english.org/ipa/ascii_ipa_combined.shtmlhttp://en.wikipedia.org/wiki/Kirshenbaum1.0 - создание файла

Крестный отец, часть 1. Английский язык с Марио Пьюзо. читать онлайн бесплатно

Крестный отец, часть 1. Английский язык с Марио Пьюзо. - читать книгу онлайн бесплатно, автор Mario Puzo

He also obeyed the system. The bookies in his precinct knew he would never make trouble to get an extra payoff for himself, that he was content for his share of the station house bag (своей долей из общего котла; station house – полицейский участок; bag – сумка; кошелек). His name was on the list with the others and he never tried to make extras. He was a fair cop who took only clean graft (работа, профессия; взятка) and his rise in the police department was steady if not spectacular (эффектный).

During this time he was raising a large family of four sons, none of whom became policemen. They all went to Fordham University and since by that time Mark McCluskey was rising from sergeant to lieutenant and finally to captain, they lacked for nothing. It was at this time that McCluskey got the reputation for being a hard bargainer (to bargain [‘bα:gın] – торговаться, заключать сделку). The bookmakers in his district paid more protection money than the bookmakers in any other part of the city, but maybe that was because of the expense of putting four boys through college.

McCluskey himself felt there was nothing wrong with clean graft. Why the hell should his kids go to CCNY or a cheap Southern college just because the Police Department didn't pay its people enough money to live on and take care of their families properly with? He protected all these people with his life and his record showed his citations (вызовы в суд; упоминания в списках об отличившихся) for gun duels with stickup (грабеж) men on his beat, strong-arm protection guys, would-be (претендующий, с претензией на то, чтобы быть кем-то) pimps (сутенеры). He had hammered them into the ground. He had kept his little corner of the city safe for ordinary people and he sure as hell was entitled (имеющий право, уполномоченный) to more than his lousy one C note (стодолларовая купюра) a week. But he wasn't indignant (возмущен) about his low pay, he understood that everybody had to take care of themselves.

Bruno Tattaglia was an old friend of his. Bruno had gone to Fordham with one of his sons and then Bruno had opened his nightclub and whenever the McCluskey family spent an infrequent (нечастый) night on the town, they could enjoy the cabaret with liquor and dinner – on the house. On New Year's Eve they received engraved invitations to be guests of the management and always received one of the best tables. Bruno always made sure they were introduced to the celebrities (знаменитости) who performed in his club, some of them famous singers and Hollywood stars. Of course sometimes he asked a little favor, like getting an employee with a record cleared for a cabaret work license, usually a pretty girl with a police dossier as a hustler or roller (вор-карманник). McCluskey would be glad to oblige (сделать одолжение, угодить [∂b'laıdG]).

McCluskey made it a policy never to show that he understood what other people were up to. When Sollozzo had approached him with the proposition to leave old man Corleone uncovered in the hospital, McCluskey didn't ask why. He asked price. When Sollozzo said ten grand, McCluskey knew why. He did not hesitate. Corleone was one of the biggest Mafia men in the country with more political connections than Capone had ever had. Whoever knocked him off would be doing the country a big favor. McCluskey took the money in advance (заранее, задатком; advance [∂d'vα:ns] – движение вперед; аванс) and did the job. When he received a call from Sollozzo that there were still two of Corleone's men in front of the hospital he had flown into a rage. He had locked up all of Tessio's men, he had pulled the detective guards off the door of Corleone's hospital room. And now, being a man of principle, he would have to give back the ten grand, money he had already earmarked (earmark – клеймо /на ухе/, тавро; to earmark – клеймить; откладывать деньги /на что-либо/) to insure the education of his grandchildren. It was in that rage that he had gone to the hospital and struck Michael Corleone.

But it had all worked out for the best. He had met with Sollozzo in the Tattaglia nightclub and they had made an even better deal. Again McCluskey didn't ask questions, since he knew all the answers. He just made sure of his price. It never occurred to him that he himself could be in any danger. That anyone would consider even for a moment killing a New York City police captain was too fantastic. The toughest hood in the Mafia had to stand still (по стойке смирно) if the lowliest patrolman decided to slap him around. There was absolutely no percentage in killing cops. Because then all of a sudden a lot of hoods were killed resisting arrest or escaping the scene of a crime, and who the hell was going to do anything about that?

McCluskey sighed and got ready to leave the station house. Problems, always problems. His wife's sister in Ireland had just died after many years of fighting cancer and that cancer had cost him a pretty penny. Now the funeral would cost him more. His own uncles and aunts in the old country needed a little help now and then to keep their potato farms and he sent the money to do the trick. He didn't begrudge (жадничать, жалеть, скупиться) it. And when he and his wife visited the old country they were treated like a king and queen. Maybe they would go again this summer now that the war was over and with all this extra money coming in. McCluskey told his patrolman clerk where he would be if he was needed. He did not feel it necessary to take any precautions. He could always claim Sollozzo was an informer he was meeting. Outside the station house he walked a few blocks and then caught a cab to the house where he would meet with Sollozzo.


It was Tom Hagen who had to make all the arrangements for Michael's leaving the country, his false passport, his seaman's card, his berth (койка) on an Italian freighter (грузовой корабль ['freıt∂]) that would dock in a Sicilian port. Emissaries were sent that very day by plane to Sicily to prepare a hiding place with the Mafia chief in the hill country.

Sonny arranged for a car and an absolutely trustworthy driver to be waiting for Michael when he stepped out of the restaurant where the meeting would be held with Sollozzo. The driver would be Tessio himself, who had volunteered for the job. It would be a beat-up-looking (побитый, обшарпанный) car but with a fine motor. It would have phony license plates and the car itself would be untraceable. It had been saved for a special job requiring the best.

Michael spent the day with Clemenza, practicing with the small gun that would be gotten to him. It was a .22 filled with soft-nosed bullets that made pinpricks (булавочные уколы) going in and left insulting gaping holes when they exited from the human body. He found that it was accurate up to five of his steps away from a target (цель). After that the bullets might go anywhere. The trigger was tight (тугой) but Clemenza worked on this with some tools (инструменты) so that it pulled easier. They decided to leave it noisy. They didn't want an innocent bystander misunderstanding the situation and interfering out of ignorant courage. The report of the gun would keep them away from Michael.

Clemenza kept instructing him during the training session. "Drop the gun as soon as you've finished using it. Just let your hand drop to your side and the gun slip out. Nobody will notice. Everybody will think you're still armed. They'll be staring at your face. Walk out of the place very quickly but don't run. Don't look anybody directly in the eye but don't look away from them either. Remember, they'll be scared of you, believe me, they'll be scared of you. Nobody will interfere. As soon as you're outside Tessio will be in the car waiting for you. Get in and leave the rest to him. Don't be worried about accidents. You'd be surprised how well these affairs go. Now put this hat on and let's see how you look." He clapped a gray fedora (мягкая фетровая шляпа [fı'd∂ur∂]) on Michael's head. Michael, who never wore a hat, grimaced. Clemenza reassured him. "It helps against identification, just in case. Mostly it gives witnesses an excuse to change their identification when we make them see the light. Remember, Mike, don't worry about prints. The butt (рукоятка) and trigger are fixed with special tape. Don't touch any other part of the gun, remember that."

Michael said, "Has Sonny found out where Sollozzo is taking me?"

Clemenza shrugged. "Not yet. Sollozzo is being very careful. But don't worry about him harming you. The negotiator stays in our hands until you come back safe. If anything happens to you, the negotiator pays."

"Why the hell should he stick his neck out?" Michael asked.

"He gets a big fee (вознаграждение, гонорар)," Clemenza said. "A small fortune. Also he is an important man in the Families. He knows Sollozzo can't let anything happen to him. Your life is not worth the negotiator's life to Sollozzo. Very simple. You'll be safe all right. We're the ones who catch hell afterwards."

"How bad will it be?" Michael asked.

"Very bad," Clemenza said. "It means an all-out war with the Tattaglia Family against the Corleone Family. Most of the others will line up with the Tattaglias. The Sanitation Department will be sweeping up a lot of dead bodies this winter." He shrugged. "These things have to happen once every ten years or so. It gets rid of the bad blood. And then if we let them push us around on the little things they wanta take over everything. You gotta stop them at the beginning. Like they shoulda stopped Hitler at Munich, they should never let him get away with that, they were just asking for big trouble when they let him get away with that."

Michael had heard his father say this same thing before, only in 1939 before the war actually started. If the Families had been running the State Department there would never have been World War II, he thought with a grin.

They drove back to the mall and to the Don's house, where Sonny still made his headquarters. Michael wondered how long Sonny could stay cooped up (coop – курятник; to coop – сажать в курятник, в клетку) in the safe territory of the mall. Eventually he would have to venture (отважиться) out. They found Sonny taking a nap on the couch. On the coffee table was the remains of his late lunch, scraps of steak and bread crumbs and a half-empty bottle of whiskey.

His father's usually neat office was taking on the look of a badly kept furnished room. Michael shook his brother awake and said, "Why don't you stop living like a bum (лодырь; /здесь/ бродяга) and get this place cleaned up?"

Sonny yawned. "What the hell are you, inspecting the barracks? Mike, we haven't got the word yet where they plan to take you, those bastards Sollozzo and McCluskey. If we don't find that out, how the hell are we going to get the gun to you?"

"Can't I carry it on me?" Michael asked. "Maybe they won't frisk me and even if they do maybe they'll miss it if we're smart enough. And even if they find it – so what. They'll just take it off me and no harm done."

Sonny shook his head. "Nah," he said. "We have to make this a sure hit on that bastard Sollozzo. Remember, get him first if you possibly can. McCluskey is slower and dumber. You should have plenty of time to take him. Did Clemenza tell you to be sure to drop the gun?"

"A million times," Michael said.

Sonny got up from the sofa and stretched. "How does your jaw feel, kid?"

"Lousy," Michael said. The left side of his face ached except those parts that felt numb because of the drugged wire holding it together. He took the bottle of whiskey from the table and swigged (swig – большой глоток /спиртного/; to swig – пить большими глотками) directly from it. The pain eased.

Sonny said, "Easy, Mike, now is no time to get slowed up by booze (спиртное, бухло)."

Michael said, "Oh, Christ, Sonny, stop playing the big brother. I've been in combat against tougher guys than Sollozzo and under worse conditions. Where the hell are his mortars (минометы)? Has he got air cover? Heavy artillery? Land mines? He's just a wise son of a bitch with a big-wheel (важный, влиятельный /человек/) cop sidekick (закадычный друг /сленг/). Once anybody makes up their mind to kill them there's no other problem. That's the hard part, making up your mind. They'll never know what hit them."

Tom Hagen came into the room. He greeted them with a nod and went directly to the falsely listed telephone. He called a few times and then shook his head at Sonny. "Not a whisper," he said. "Sollozzo is keeping it to himself as long as he can."

The phone rang. Sonny answered it and he held up a hand as if to signal for quiet though no one had spoken. He jotted some notes down on a pad, then said, "OK, he'll be there," and hung up the phone.

Sonny was laughing. "That son of a bitch Sollozzo, he really is something. Here's the deal. At eight tonight he and Captain McCluskey pick up Mike in front of Jack Dempsey's bar on Broadway. They go someplace to talk, and get this. Mike and Sollozzo talk in Italian so that the Irish cop don't know what the hell they are talking about. He even tells me, don't worry, he knows McCluskey doesn't know one word in Italian unless it's 'soldi' (деньги) and he's checked you out, Mike, and knows you can understand Sicilian dialect."

Michael said dryly, "I'm pretty rusty (ржавый; запущенный) but we won't talk long."

Tom Hagen said, "We don't let Mike go until we have the negotiator. Is that arranged?"

Clemenza nodded. "The negotiator is at my house playing pinochle (вид карточной игры) with three of my men. They wait for a call from me before they let him go."

Sonny sank back in the leather armchair. "Now how the hell do we find out the meeting place? Tom, we've got informers with the Tattaglia Family, how come they haven't given us the word?"

Hagen shrugged. "Sollozzo is really damn smart. He's playing this close to the vest, so close that he's not using any men as a cover. He figures the captain will be enough and that security is more important than guns. He's right too. We'll have to put a tail on Mike and hope for the best."

Sonny shook his head. "Nah, anybody can lose a tail when they really want to. That's the first thing they'll check out."

By this time it was five in the afternoon. Sonny, with a worried look on his face, said, "Maybe we should just let Mike blast whoever is in the car when it tries to pick him up."

Hagen shook his head. "What if Sollozzo is not in the car? We've tipped our hand for nothing. Damn it, we have to find out where Sollozzo is taking him."

Clemenza put in, "Maybe we should start trying to figure why he's making it such a big secret."


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