'What was this girl like?' she asked when he finished. 'Uncle Arnold's daughter. Would you say there was any resemblance between her and me?'
Bateman was surprised at the question.
'It never struck me. You know I've never had eyes for anyone but you and I could never think that anyone was like you. Who could resemble you?'
'Was she pretty?' said Isabel, smiling slightly at his words.
'I suppose so. I daresay some men would say she was very beautiful.'
'Well, it's of no consequence. I don't think we need give her any more of our attention.'
'What are you going to do, Isabel?' he asked then.
Isabel looked down at the hand which still bore the ring Edward had given her on their betrothal.
'I wouldn't let Edward break our engagement because I thought it would be an incentive to him. I wanted to be an inspiration to him. I thought if anything could enable him to achieve success it was the thought that I loved him. I have done all I could. It's hopeless. It would only be weakness on my part not to recognize the facts. Poor Edward, he's nobody's enemy but his own. He was a dear, nice fellow, but there was something lacking in him, I suppose it was backbone. I hope he'll be happy.'
She slipped the ring off her finger and placed it on the table. Bateman watched her with a heart beating so rapidly that he could hardly breathe.
'You're wonderful, Isabel, you're simply wonderful.'
She smiled, and, standing up, held out her hand to him.
'How can I ever thank you for what you've done for me?' she said. 'You have done me a great service. I knew I could trust you.'
He took her hand and held it. She had never looked more beautiful.
'Oh, Isabel, I would do so much more for you than that. You know that I only ask to be allowed to love and serve you.'
'You're so strong, Bateman,' she sighed. 'It gives me such a delicious feeling of confidence.'
'Isabel, I adore you.'
He hardly knew how the inspiration had come to him, but suddenly he clasped her in his arms; she, all unresisting, smiled into his eyes.
'Isabel, you know I wanted to marry you the very first day I saw you,' he cried passionately.
'Then why on earth didn't you ask me?' she replied.
She loved him. He could hardly believe it was true. She gave him her lovely lips to kiss. And as he held her in his arms he had a vision of the works of the Hunter Motor Traction and Automobile Company growing in size and importance till they covered a hundred acres, and of the millions of motors they would turn out, and of the great collection of pictures he would form which should beat anything they had in New York. He would wear horn
spectacles. And she, with the delicious pressure of his arms about her, sighed with happiness, for she thought of the exquisite house she would have, full of antique furniture, and of the concerts she would give, and of the thГ©s dansants, and the dinners to which only the most cultured people would come.
'Poor Edward,' she sighed.
The wise traveller travels only in imagination. An old Frenchman (he was really a Savoyard) once wrote a book called Voyage autour de ma Chambre. I have not read it and do not even know what it is about, but the title stimulates my fancy. In such a journey I could circumnavigate the globe. An eikon by the chimneypiece can take me to Russia with its great forests of birch and its white, domed churches. The Volga is wide, and at the end of a straggling village, in the wine-shop, bearded men in rough sheepskin coats sit drinking. I stand on the little hill from which Napoleon first saw Moscow and I look upon the vastness of the city. I will go down and see the people whom I know more intimately than so many of my friends, Alyosha, and Vronsky, and a dozen more. But my eyes fall on a piece of porcelain and I smell the acrid odours of China. I am borne in a chair along a narrow causeway between the padi fields, or else I skirt a tree-clad mountain. My bearers chat gaily as they trudge along in the bright morning and every now and then, distant and mysterious, I hear the deep sound of a monastery bell. In the streets of Peking there is a motley crowd and it scatters to allow passage to a string of camels, stepping delicately, that bring skins and strange drugs from the stony deserts of Mongolia. In England, in London, there are certain afternoons in winter when the clouds hang heavy and low and the light is so bleak that your heart sinks, but then you can look out of your window, and you see the coconut trees crowded upon the beach of a coral island. The strand is silvery and when you walk along in the sunshine it is so dazzling that you can hardly bear to look at it. Overhead the mynah birds are making a great to-do, and the surf beats ceaselessly against the reef. Those are the best journeys, the journeys that you take at your own fireside, for then you lose none of your illusions.
But there are people who take salt in their coffee. They say it gives it a tang, a savour, which is peculiar and fascinating. In the same way there are certain places, surrounded by a halo of romance, to which the inevitable disillusionment which you must experience on seeing them gives a singular spice. You had expected something wholly beautiful and you get an impression which is infinitely more complicated than any that beauty can give you. It is like the weakness in the character of a great man which may make him less admirable but certainly makes him more interesting.
Nothing had prepared me for Honolulu. It is so far away from Europe, it is reached after so long a journey from San Francisco, so strange and so charming associations are attached to the name, that at first I could hardly believe my eyes. I do not know that I had formed in my mind any very exact picture of what I expected, but what I found caused me a great surprise. It is a typical western city. Shacks are cheek by jowl with stone mansions: dilapidated frame houses stand next door to smart stores with plate-glass windows; electric cars rumble noisily along the streets; and motors, Fords, Buicks, Packards, line the pavement. The shops are filled with all the necessities of American civilization. Every third house is a bank and every fifth the agency of a steamship company.
Along the streets crowd an unimaginable assortment of people. The Americans, ignoring the climate, wear black coats and high, starched collars, straw hats, soft hats, and bowlers. The Kanakas, pale brown, with crisp hair, have nothing on but a shirt and a pair of trousers; but the half-breeds are very smart with flaring ties and patent-leather boots. The Japanese, with their obsequious smile, are neat and trim in white duck, while their women walk a step or two behind them, in native dress, with a baby on their backs. The Japanese children, in bright coloured frocks, their little heads shaven, look like quaint dolls. Then there are the Chinese. The men, fat and prosperous, wear their American clothes oddly, but the women are enchanting with their tightly-dressed black hair, so neat that you feel it can never be disarranged, and they are very clean in their tunics and trousers, white, or powder-blue, or black. Lastly there are the Filipinos, the men in huge straw hats, the women in bright yellow muslin with great puffed sleeves.
It is the meeting-place of East and West. The very new rubs shoulders with the immeasurably old. And if you have not found the romance you expected you have come upon something singularly intriguing. All these strange people live close to each other, with different languages and different thoughts; they believe in different gods and they have different values; two passions alone they share, love and hunger. And somehow as you watch them you have an impression of extraordinary vitality. Though the air is so soft and the sky so blue, you have, I know not why, a feeling of something hotly passionate that beats like a throbbing pulse through the crowd. Though the native policeman at the corner, standing on a platform, with a white club to direct the traffic, gives the scene an air of respectability, you cannot but feel that it is a respectability only of the surface; a little below there is darkness and mystery. It gives you just that thrill, with a little catch at the heart, that you have when at night in the forest the silence trembles on a sudden with the low, insistent beating of a drum. You are all expectant of I know not what.
If I have dwelt on the incongruity of Honolulu, it is because just this, to my mind, gives its point to the story I want to tell. It is a story of primitive superstition, and it startles me that anything of the sort should survive in a civilization which, if not very distinguished, is certainly very elaborate.
I cannot get over the fact that such incredible things should happen, or at least be thought to happen, right in the middle, so to speak, of telephones, tramcars, and daily papers. And the friend who showed me Honolulu had the same incongruity which I felt from the beginning was its most striking characteristic.
He was an American named Winter and I had brought a letter of introduction to him from an acquaintance in New York. He was a man between forty and fifty, with scanty black hair, grey at the temples, and a sharp-featured, thin face. His eyes had a twinkle in them and his large horn spectacles gave him a demureness which was not a little diverting. He was tall rather than otherwise and very spare. He was born in Honolulu and his father had a large store which sold hosiery and all such goods, from tennis racquets to tarpaulins, as a man of fashion could require. It was a prosperous business and I could well understand the indignation of Winter pГЁre when his son, refusing to go into it, had announced his determination to be an actor. My friend spent twenty years on the stage, sometimes in New York, but more often on the road, for his gifts were small; but at last, being no fool, he came to the conclusion that it was better to sell sock-suspenders in Honolulu than to play small parts in Cleveland, Ohio. He left the stage and went into the business. I think after the hazardous existence he had lived so long, he thoroughly enjoyed the luxury of driving a large car and living in a beautiful house near the golf-course, and I am quite sure, since he was a man of parts, he managed the business competently. But he could not bring himself entirely to break his connexion with the arts and since he might no longer act he began to paint. He took me to his studio and showed me his work. It was not at all bad, but not what I should have expected from him. He painted nothing but still life, very small pictures, perhaps eight by ten; and he painted very delicately, with the utmost finish. He had evidently a passion for detail. His fruit pieces reminded you of the fruit in a picture by Ghirlandajo. While you marvelled a little at his patience, you could not help being impressed by his dexterity. I imagine that he failed as an actor because his effects, carefully studied, were neither bold nor broad enough to get across the footlights.
I was entertained by the proprietary, yet ironical air with which he showed me the city. He thought in his heart that there was none in the United States to equal it, but he saw quite clearly that his attitude was comic. He drove me round to the various buildings and swelled with satisfaction when I expressed a proper admiration for their architecture. He showed me the houses of rich men.
'That's the Stubbses' house,' he said. 'It cost a hundred thousand dollars to build. The Stubbses are one of our best families. Old man Stubbs came here as a missionary more than seventy years ago.'
