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Pavlov, A.
Tell your children: One hundred and eleven essays on cult cinema [Text] / A. Pavlov; National Research University Higher School of Economics. – Moscow: HSE Publishing House, 2016. – 424 p. – (Cultural Studies). – 1000 copies. – ISBN 978-5-7598-1381-1 (hardcover).
Many people use the word “cult” in everyday language, and mostly when speaking about cinematography. But not always the concept is used in accordance with its true meaning. However, to speak about the “correct” meaning of “cult cinema” is a complicated task and it is very hard to answer the question about what cult cinema definitely is. In this book the author attempts to understand what cult cinema is: when and how it originated, how it has been developing, what it was, what it has become and if it has survived at all. And if it has survived, how should we speak about it today?
The book consists of two parts. In the first part – which is a theoretical and methodological introduction – the author offers his view of how it is possible to reflect on cult cinema. In the second part the factual material is presented – one hundred and eleven essays on cult cinema given in chronological order so the reader could get an idea about the evolution of the phenomenon. The book will be interesting not only for culturologists and sociologists but also for all those who enjoy cinema. It may be of special value to those who appreciate nonstandard cinematography.
Leigh D. Who Killed Cult Movies? // Guardian. 13.10.2009. <http://www.guardian.co.uk/film/filmblog/2009/oct/13/who-killed-cult-movies>.
<http://www.avclub.com/article/new-cult-canon-ends-with-the-end-times-of-michael—96356>.
Все комментарии отсюда: <http://rutracker.org/forum/viewtopic.php?t =3390295>.
Кузнецов С. Pulp Fiction/Криминальное чтиво: <http://kino-s-detmi. livejournal.com/295.html>.
Хуже не бывает: История кинохалтуры // Cinema. 1996. № 3.
Tobias S. Anaconda, <http://www.avclub.com/article/ianacondai-64900>.
Наряду с этим среди отечественных зрителей утверждался особый интерес к некоторым картинам, снятым в России. И отношение поклонников к определенным фильмам могло быть описано как культовое. Если говорить о русском культовом кинематографе, следует упомянуть следующие ленты: «Игла» с Виктором Цоем, «Бакенбарды» Юрия Мамина, «Брат» Алексея Балабанова, «Зеленый слоник» Светланы Басковой и др. Последний часто вспоминается в дискуссиях о плохом кино или «трансгрессивном кино», хотя далеко не все из тех, кто его обсуждает, видели фильм.
<https://www.criterion.com/current/posts/293-the-honeymoon-killers-broken-promisesx
На прослушивание Тейлор приходил с усами, которые по обыкновению носил. Но кинематографисты не могли решить, нужен им этот персонаж с усами или без. Как видно по фильму, они остановились на втором варианте. Сам Хеллман так скажет о кастинге Тейлора: «Я видел рекламный щит на бульваре Сансет, и сошел с ума, увидев его лицо». Об этом см. эссе Кента Джонса: <http://www.criterion.com/current/ posts/621-two-lane-blacktop-slow-ride>.
Из неопубликованного интервью автору.
На сайте Rutraccker.org был создан раздел, посвященный фильмам Франко: <http://rutracker.org/forum/viewtopic.php?t=1441005>.
Тафинцев А. Новатор 1970-х. Плохой режиссер Джесс Франко.
<http://yourmacguffin.com/badtaste/jess_franco/>.
Из неопубликованного интервью автору.
В одном из отечественных изданий начала 1990-х картину назвали «Расчленением по-техасски при помощи механической пилы» [Добротворский, 1992, с. 203].
Отзыв на второй фильм Митчелла см. в тексте Ивана Денисова: <http://yourmacguffin.com/badtaste/gonewiththepope/>.
Денисов И. Термиты с 42-й улицы, <http://www.cinematheque.ru/post/ 141901 /print/>.
См.: <http://vozduh.afisha.ru/cinema/videosalony/>.
На английском подробный разбор фильма, а также анализ его «культовости» см.: [Wilson, 2015].
У Славоя Жижека есть интерпретация этого феномена: он считает, что герой сопротивляется желанию своего друга «просветить» его, потому что подсознательно знает правду и боится, что она ему откроется [Жижек, 2012].
Скотт Тобиас в свой «Новый канон культового кино» внес именно эту ленту режиссера: <http://www.avclub.com/article/ilost-highwayi-30147>.
