HAVEL, VACLAV
Protokoly (collected writings, including the two plays The Garden Party and The Memorandum), Prague: Mlada Fronta, 1966 (The Memorandum, trans. by Vera Blackwell, London: Cape, 1967)
HILDESHEIMER, WOLFGANG PLAYS
Spiele in denen es dunkel wird, Pfullingen: Neske, 1958, contains: Pastorale oder Die Zeit fiir Kakao, Landschaft mit Figuren, Die Uhren. Hildesheimer’s radio plays include: Das Ende kommt nie, Begegnung im Balleanexpress, Prinzessin Turandot (stage version, Der Drachenthron), An den Ufem der Plotinitza, Das Atelieifest, Die Bartschedelidee, Herm Walsers Raben.
OTHER WRITINGSS ‘Erlanger Rede iiber das absurde Theater’, Munich: Akzente, no. 6, i960
IONESCO, EUGENE
PLAYS
[for collected editions see p. 452]
La Cantatrice Chauve (written 1948, first performance 1950), in Thidtre I [Arcanes]; also in Thidtre I [Gallimard] (trans. by Donald M. Allen, The Bald Soprano, in Plays, vol. I [New York: Grove Press]; trans. by Donald Watson, The Bald Prima Donna, in Plays, vol. I [London: Calder])
LaLefon (written 1950, first performance 1951), in Theatre I [Arcanes]; also in ThiStre I [Gallimard] (trans. The Lesson, by Donald M.
BIBLIOGRAPHY
Allen in Plays, voL I [New Yode: Grove Press]; by Donald Watson in Plays, voL I [London: Calder], and in Penguin Plays, 1962) Jacques, ou La Soumission (written 1950, first performance 1955), in Thidtre I [Ar canes]; also in TheStre I [Gallimard] (trans. by Donald M. Allen, Jack or the Submission, in Plays, voL I [New York: Grove Press]; trans. by Donald Watson, Jacques or Obedience, in Plays, voL I [London: Calder])
Les Chaises (written 1951, first performance 1952), in Thidtre I [Gallimard] (trans., The Chairs, by Donald M. Allen in Plays, vol.
I [New York: Grove Press]; by Donald Watson in Plays, vol. I [London: Calder], and in Penguin Plays, 1962)
Le Salon de Г Automobile (first performance 1953), in Thidtre I [Arcanes]; also in Thidtre TV (trans. by Sasha Moorsom, The Motor Show, London: 3 Arts Quarterly, no. 2, Summer i960)
L’Avenir est dans les CEufs ou П faut de tout pour fake un monde (written 1951, first performance 1937)» m Thidtre II (trans. by Derek Prouse, The Future is in Eggs or It takes all sorts to make a world, in Plays, voLIV)
Vktimes du Devoir (written 1932, first performance 1953), in Thidtre I [Gallimard] (trans. by Donald Watson, Victims of Duty, in Plays, voL IQ
Amtdk ou Comment s’en dAarrasser (written 1953, first performance 1934), in Thidtre I [Gallimard] (trans. by Donald Watson, Amidei or How to get rid of it, in Plays, vol. II, and in Absurd Drama, Har- mondsworth: Penguin Books, 1963)
Le Nouveau Locataire (written 1933, first performance 1933), pi Thidtre
II (trans. by Donald Watson, The New Tenant, in Plays, voL II) Les Grandes Chaleurs (first performance 1953), based on a play by
Caragiale, unpublished La Jeune Fille i Marier (first performance 1953), in Thidtre II (trans.
by Donald Watson, Maid to Marry, in Plays, voL III)
Le Maitre (first performance 1953), in Thidtre II (trans. by Derek Prouse, The Leader, in Plays, vol. IV)
Le Connaissez-Vous? (first performance I9J3). unpublished La Niice-Epou*e (first performance 1933), unpublished Le Rhume Onirique (first performance 1953), unpublished Le Tableau (first performance 1955), Dossiers Acinonites de College de Pataphysique, no. 1, 1958; also in Thidtre III (trans. by Donald
BIBLIOGRAPHY
Watson, The Picture, broadcast in B.B.C. Third Programme, и March 1957; in Plays, vol. VII)
L'Impromptu de ГAlma ou Le Camilion du Berger (written 1955, first performance 1956), in Thidtre II (trans. by Donald Watson, Improvisation or The Shepherd's Chameleon, in Plays, vol. Ill) Impromptu pour la Duchesse de Windsor (written 1957, first performance
1957), unpublished (trans. by Donald Watson, unpublished)
Tueur Sans Gages (written 1937, first performance 1959), in Thidtre II (trans. by Donald Watson, The Killer, in Plays, voL IIQ [Le] Rhinocbos [the definite article on the tide page is an error by the publishers] (written 1938, first performance 1959), Paris: Gallimard, 1959 (in the series ‘Le Manteau d’Arlequin’); also in Thidtre III (trans. by Derek Prouse, Rhinoceros, in Plays, vol. IV, and in Penguin Plays, 1962)
Seine h Quatre (written 1939, first performance 1959), Cahiers du College de Pataphysique, Dossier 7, 1959; also Paris: Avant-Sckne no. 210,
15 December 1959; also in Thidtre III (trans. by Donald M. Allen, Foursome, New York: Evergreen Review, no. 13, May-June i960) Apprendre i Marcher, Ballet (first performance i960), in Thidtre IV Les Salutations (opening scene of an as yet uncompleted play, Scene a Sept), Paris: LesLettres Francises, no. 805, 31 December i960; also in Thidtre III
Le Roi se Moot (written 1962, first performance 1962), Paris: Gallimard, 1963; also in Thidtre IV (trans. by Donald Watson, Exit the King, in Plays, vol. V)
Le Piiton de Г Air (written 1962, first performance 1963), in Thidtre
III (trans. by Donald Watson, A Stroll in the Air, in Plays, voL VI) Dilire et Deux… h tant qu on veut (written 1962, first performed 1962), in Thidtre III (trans. by Donald Watson, Frenzy for Two, in Plays, vol. VI)
La Soif et la Faim (written 1965, first performance 1966), in Thidtre IV (trans. by Donald Watson, Hunger and Thirst, in Plays, voL VII) Jeux de Massacre, Paris: Gallimard 1970 Macbett, Paris: Gallimard, 1972
VHomme aux Valises suivi de Ce Formidable Bordel, Paris: Gallimard, 1973 (trans. adapted by Israel Horovitz, Man with Bags, New York: Grove Press, 1977)
ТЕАТР АБСУРДА BIBLIOGRAPHY
Collected editions
Thidtre I, Paris: Arcanes, 1953 (in the series ‘Locus Soltis’), contains: La СапШгке Chauve, La Lefon, Jacques ou La Soumission, Le Salon de Г Automobile
[A second volume of the above edition, announced as being in preparation in 1953, did not appear. It was to contain: Les Chaises, Victimes du Devoir, La Niice-Epouse, La Jeune Fille h Marier]
ThMltre I, Paris: Gallimard, 1954, contains: Preface by Jacques Lemarchand, La Cantatrice Chauve, La Legon, Jacques, ou La Sou- mission, Les Chaises, Victimes du Devoir, Amidii ThMtre II, Paris: Gallimard, 1958, contains: L'Impromptu de TAlma, Tueur Sans Gages, Le Nouveau Locataire, L'Avenir est dans les CBufs, Le Maitre, La Jeune Fille A Marier ThMltre III, Paris: Gallimard. 1963, contains: Rhinoceros, Le Ptiton de Г Air, Dilire i Deux, Le Tableau, Scene h Quatre, Les Salutations, La Colire
Thitre IV, Paris: Gallimard, 1966, contains: Le Roi se Meurt, La Soif et la Faim, La Laame, Le Salon de Г Automobile, L’CEuf Dur, Le Jeune Homme i Marier, Apprendre i Marcher ThiHtre V, Paris: Gallimard, 1974, contains: Jeux de Massacre, Mac- belt. La Vase, Exercices de conversation et de diction Francoises pour itudiants Ambicains
English translations
[Ionesco’s plays have been published by Grove Press, New York, and John Calder, London. The first volume of these editions differs; the others are identical]
Vol. I [U.S. edition], trans. by Donald M. Allen, contains: The Bald Soprano, The Lesson, Jack or The Submission, The Chairs Vol. I [English edition], trans. by Donald Watson, contains: The Lesson, The Chairs, The Bald Prima Donna, Jacques or Obedience Vol. II, trans. by Donald Watson, contains: AmitUe or How to get rid of it. The New Tenant, Victims of Duty Vol. Ill, trans. by Donald Watson, contains: The Killer, Improvisation or The Shepherd’s Chameleon, Maid to Marry
БИБЛИОГРАФИЯ
BIBLIOGRAPHY
Vol. IV, trans. by Derek Prouse, contains: Rhinoceros, The Leader, The Future is in Eggs Vol. V, trans. by Donald Watson, contains: Exit the King, The Motor Show, Foursome
Vol. VI, trans. by Donald Watson, contains: A Stroll in the Air, Frenzy for Two
Vol. VII, trans. by Donald Watson, contains: Hunger and Thirst, The Picture, Greetings, Anger Vol. VIII, trans. by Donald Watson, contains: Here Comes a Chopper (Jeux de massacre), The Oversight (La Lacune), The Foot of the Wall Vol. IX, trans. by Donald Watson, contains: Macbett, The Mire, Learning to Walk
Vol. X, trans. by Donald Watson, contains: Oh What a Bloody Circus, The Hardboiled Egg
NARRATIVE PROSB
Une Victime du Devoir (written 1952), Paris: Medium, January 1955; Paris: Cahiers des Saisons, no. 24, Winter 1961 [basis of Victimes de Devoir]
Oriflamme, Paris: Nouvelle Revue Franfais, February 1964 [basis of AmddSe] (trans., Flying High, New York: Mademoiselle, 1957)
La Photo du Colonel, Paris: Nouvelle Revue Frangaise, November 1955 [basis of Tueur Sans Gages] (trans. by Stanley Read, The Photograph of the Colonel, Evergreen Review, I, 3, 1957)
Rhinoceros, Paris: LesLettres Nouvelles, September 1957; Paris: Cahiers de la Compagnie M. Renaud — J.-L. Barrault, no. 29, February i960 (trans. by Donald M. Allen, New York: Mademoiselle, March i960) La Photo du Colonel, RJcits (collected short stories), Paris: Gallimard, 1962
The ColoneFs Photograph (collected stories in English), trans. by Jean Stewart and John Russell, London: Faber Faber, 1967 Le Solitaire. Roman, Paris: Mercure de France, 1973
ESSAYS AND OTHER PROSE WRITINGS
‘L’invraisemblable, Гinsolite, mon univers…’, Paris: Arts, 14 August I9J3; also Paris: Cahiers des Saisons, no. 15, Winter 1959, under the title 'Je n’ai jamais riussi…’
BIBLIOGRAPHY
'Le point du depart', Paris: Cahiers des Quatre Saisons, do. i, August
1955 [this periodical changed its tide to Cahiers des Saisons from no. 2, October 1955] (trans. by L.C. Pronko, New York: Theatre Arts, June 1958; by Donald Watson in Plays, vol. I [London: Calder])
‘ Thiitre et anti-thidtre’, Paris: Cahiers des Saisons, no. 2, October 1955 (trans. by L. C. Pronko, New York: Theatre Arts, June 1958)
‘Mes piices ne pritendent pas sauver le monde', Paris: L'Express, 15–16 October 1955 LMes critiques et moi’, Paris: Arts, 22 February 1956 ‘Gammes’ (nonsense aphorisms), Paris: Cahiers des Saisons, no. 7, September 1956
‘There is no avant-garde theatre’, trans. by Richard Howard, New York: Evergreen Review, I, 4,1957 ‘The world of Ionesco’, International Theatre Annual, no. 2, ed. Harold Hobson, London: Calder, 1957; Tulane Drama Review, October 19S8
‘Olympie’ (prose poem), Paris: Cahiers des Saisons, no. 10, April-May
1957
‘Pour Cocteau', Paris: Cahiers des Saisons, no. 12, October 1957 ‘The theatre’, talk on Б.В.С. Third Programme, July 1957 [an early version oЈ‘Experience du thi tre — see below]
‘Dans les ames de la ville' (on Kafka), Paris: Cahiers de la Compagnie M. Renaud — J.-L Barrault, no. 20, October 1957 ‘Qu’est-ce que Г avant-garde en 1958?', Paris: Les Lettres Francoises, itf April 1958; also Paris: Cahiers des Saisons, no. 15, Winter 1959, under the tide ‘Lorsque j’icris — '
‘Experience du thidtre’, Paris: Nouvelle Revue Fran$aise, February 1958 (trans. by L. C. Pronko, ‘Discovering the theatre’, Tulane Drama Review, September 1959)
'Ni un dieu ni un dimon’ (on Artaud), Paris: Cahiers de la Compagnie M. Renaud-J.-L Barrault, nos. 22-3, May 1958 ‘Reality in depth’, London: Encore, May-June 1958 ‘The playwright’s role’, London: Observer, 29 June 1958 (The entire controversy with Kenneth Tynan is reproduced as ‘Controverse londonienne' in Cahiers des Saisons, no. 15, Winter 1959)
