Pisanello: Painter to the Renaissance Court. Exh. cat. National Gallery, London / eds. L. Syson, D. Gordon. London, 2001.
Pope-Hennessy J. Paolo Uccello. London and New York, 1950.
Weiss R. The Spread of Italian Humanism. London, 1964.
Глава 17. Впечатляющие мелочи
Bartrum G. German Renaissance Prints, 1490–1550. London, 1995.
Baxandall M. The Limewood Sculptures of Renaissance Germany. London, 1980.
Belting H. Hieronymus Bosch: Garden of Earthly Delights. Munich and London, 2002.
Bruegel: The Master. Exh. cat., Kunsthistorisches Museum, Vienna / eds. A. Hoppe-Harnoncourt, E. Oberthaler, S. Penot. Vienna, 2018.
Campbell L. The Fifteenth Century Netherlandish Schools, National Gallery Catalogues. London, 1998.
Campbell L. Van der Weyden. London, 1979.
Early Netherlandish Engraving c. 1440–1540. Exh. cat., Ashmolean Museum, Oxford / ed. U. Mayr-Harting. Oxford, 1997.
Gibson W. S. Pieter Bruegel and the Art of Laughter. Berkeley, CA, 2006.
Heal B. A Magnificent Faith: Art and Identity in Lutheran Germany. Oxford, 2017.
Heard K., Whitaker L. The Northern Renaissance: Dürer to Holbein. London, 2011.
Hueffer F. M. Hans Holbein the Younger. London, 1905.
Ilsink M. et al. Hieronymus Bosch: Painter and Draughtsman. New Haven, CT; London, 2016.
Investigating Jan Van Eyck / eds. S. Foister, S. Jones, D. Cool. Brepols, 2000.
Jean Fouquet. Exh. cat., Musee du Louvre, Paris / ed. N. Reynaud. Paris, 1981.
Jean Fouquet: peintre et enlumineur du Xve siecle. Exh. cat., Bibliotheque Nationale, Paris / ed. F. Avril. Paris, 2003.
Kemperdick S. Martin Schongauer: eine Monographie. Petersberg, 2004.
Koerner J. L. Bosch and Bruegel. From Enemy Painting to Everyday Life. Princeton, NJ, and Oxford, 2016.
Landau D., Parshall P. The Renaissance Print, 1470–1550. New Haven, CT; London, 1994.
Lehmann P. W. Cyriacus of Ancona’s Egyptian Visit and its Reflections in Gentile Bellini and Hieronymus Bosch. New York, 1977.
Nuecherlein J. Translating Nature into Art: Holbein, the Reformation, and Renaissance Rhetoric. Philadelphia, PA, 2011.
Nuttall P. From Flanders to Florence: The Impact of Netherlandish Painting, 1400–1500. New Haven, CT; London, 2004.
Pacht O. Early Netherlandish Painting: From Rogier van der Weyden to Gerard David. London, 1997.
Panofsky E. Early Netherlandish Painting: Its Origins and Character. Vol. 1. Cambridge, MA, 1953.
Parker K. T. The Drawings of Hans Holbein in the Collection of her Majesty the Queen at Windsor Castle. London, 1983.
Petrus Christus: Renaissance Master of Bruges. Exh. cat., Metropolitan Museum of Art, New York / ed. M. W. Ainsworth. New York, 1994.
Purtle C. J. The Marian Paintings of Jan van Eyck. Princeton, NJ, 1982.
Rogier van der Weyden, 1400–1464: Master of Passions. Exh. cat., Museum Leuven / eds. L. Campbell, J. van der Stock. Leuven, 2009.
Shestack A. The Complete Engravings of Martin Schongauer. New York, 1969.
Tilman Riemenschneider: Master Sculptor of the Late Middle Ages / eds. J. Chapuis. New Haven, CT; London, 1999.
Upton J. M. Petrus Christus: His Place in Fifteenth-Century Flemish Painting. University Park, PA, 1990.
Van Eyck: An Optical Revolution. Exh. cat., Museum voor Schone Kunsten, Ghent / eds. M. Marten, T.-H. Borchert, J. Dumolyn, J. De Smet, F. Van Dam. Ghent, 2020.
Weale W. H. J. Hubert and John Van Eyck: Their Life and Work. London, 1908.
Глава 18. Бронзовые короли
Africa: The Art of a Continent. Exh. cat., Royal Academy, London / ed. T. Phillips. London, 1995.
Art of the Dogon: Selections from the Lester Wundermann Collection. Exh. cat., Metropolitan Museum of Art, New York / ed. K. Ezra. New York, 1988.
Beier U. Yoruba Poetry: An Anthology of Traditional Poems. Cambridge, 1970.
Ben-Amos P. The Art of Benin. London, 1995.
Ben-Amos P., Rubin A. The Art of Power: The Power of Art: Studies in Benin Iconography. Los Angeles, CA, 1983.
Bovin M. Nomads Who Cultivate Beauty. Uppsala, 2001.
Dynasty and Divinity: Ife Art in Ancient Nigeria. Exh. cat., Museum of African Art, New York / eds. H. N. Drewal, E. Schildkrout. New York, 2009.
Garlake P. Early Art and Architecture of Africa. Oxford, 2002.
Garlake P. Great Zimbabwe. London, 1973.
Garlake P. The Hunter’s Vision: The Prehistoric Art of Zimbabwe. London, 1995.
Gillon W. A Short History of African Art. London, 1984.
Griaule M. Masques Dogon. Paris, 1938.
Hodgkin T. Nigerian Perspectives: An Historical Anthology. Oxford, 1960.
I Am Not Myself: The Art of African Masquerade / ed. H. M. Cole. Los Angeles, CA, 1985.
Olusoga D. First Contact: The Cult of Progress. London, 2018.
Phillipson D. W. Aksum: Its Antecedents and Successors. London, 1998.
The Royal Art of Benin: The Perls Collection. Exh. cat., Metropolitan Museum of Art, New York / ed. K. Ezra. New York, 1992.
Shaw T. Unearthing Igbo-Ukwu. Archaeological Discoveries in Eastern Nigeria. Ibadan, 1977.
Vinnicombe P. People of the Eland. Pietermaritzburg, 1976.
Visona M. B. et al. A History of Art in Africa. London, 2000.
Willett F. African Art: An Introduction. London, 1971.
Глава 19. Вот это гений!
Палладио А. Четыре книги об архитектуре / пер. И. Жолтовского. М., 1938.
Челлини Б. Жизнь Бенвенуто, сына маэстро Джованни Челлини, флорентийца, написанная им самим во Флоренции / пер. М. Лозинского. М., 1991.
Ackerman J. S. Palladio. London, 1966.
Ackerman J. S. The Architecture of Michelangelo. London, 1961.
The Age of Sultan Süleyman the Magnificent. Exh. cat., National Gallery, Washington, DC / ed. E. Atil. Washington, DC, 1987.
Atasoy N., Raby J. Iznik: The Pottery of Ottoman Turkey. London, 1989.
Avery C. Giambologna: The Complete Sculpture. Oxford, 1987.
Bambach C. Leonardo da Vinci Rediscovered. New Haven, CT; London, 2019.
Burns H. Fairbairn L., Boucher B. Andrea Palladio, 1508: The Portico and the Farmyard. London, 1975.
Carswell J. Iznik Pottery. London, 1998.
Clark K. Leonardo da Vinci. London, 1939.
Dunkerton Jill, Foister S., Penny N. Dürer to Veronese: Sixteenth-Century Painting in the National Gallery. New Haven, CT; London, 1999.
Freiberg J. Bramante’s Tempietto, the Roman Renaissance, and the Spanish Crown. Cambridge, 2014.
Giambologna, Sculptor to the Medici. Exh. cat., Arts Council of Great Britain. London, 1978.
Gould C. The Studio of Alfonso d’Este and Titian’s ‘Bacchus and Ariadne’: A Re-Examination of the Chronology of the Bacchanals and of the Evolution of One of Them. London, 1969.
Hall J. Michelangelo and the Reinvention of the Human Body. London, 2005.
Hibbard H. Michelangelo. New York, 1974.
Hills P. Venetian Colour: Marble, Mosaic, Painting and Glass, 1250–1550. New Haven, CT; London, 1999.
Howard D. Venice and the East: The Impact of the Islamic World on Venetian Architecture, 1100–1500. New Haven, CT; London, 2000.
Humfrey P. Titian. London, 2007.
Jones R., Penny N. Raphael. New Haven, CT; London, 1983.
Kemp M. Leonardo da Vinci: The Marvellous Works of Nature and Man. London, 1981.
Leonardo da Vinci: Painter at the Court of Milan. Exh. cat., National Gallery, London / ed. L. Syson. London, 2011.
Levey M. The World of Ottoman Art. London, 1975.
